This is my second Tana French novel, and it was her debut with the Dublin Murder Squad series. And I do enjoy her writing style.
We have here, ostensibly, a crime novel. A twelve year old girl, Katy Devlin, is discovered dead on the altar stone at an archeological dig. Detective Rob Ryan and Cassie Maddox are dispatched to investigate. The usual trickle of evidence (interviews, autopsy, forensics) leads to the perpetrator. There is a further complication: the site where Katy Devlin is discovered is the same place that, twenty years earlier, Ryan and his two best friends disappeared. Only Ryan was recovered, with blood on his shoes and no memory of what had happened to him.
The novel dips into both cases and they butt against each other. At times, the two cases seem utterly unconnected, save by coincidence; at other times, there’s the suspicion that there may be a direct causal connection.
What sets French apart from other police procedurals for me, having read a sum total of two of her books – which may not make it a reliable observation – is the intensity of the relationships she creates. Ryan and Maddox’ relationship has a similar intensity to those of the girls at the boarding school in The Secret Place. Somewhere between an incredibly intense brother-sister relationship and lovers. Which, when put like that, sounds rather uncomfortable if not unhealthy! They work together day-in day-out, share food on most nights, a bedroom on occasion, secrets, intimacies and confidences. Each shares an utter confidence in the other and would probably work to exclude everyone else. At times, they came across as beautifully tender together; sometimes we shared the good humour of their bickering. Often, they came across as very immature – acting closer to 13 than 30 but that may reflect more on my stuffiness than anything else – and, to be honest, annoying and not always wholly convincing. The relationship which was growing between Detectives Conway and Moran in The Secret Place was more credible.
I also struggled to find Ryan a credible police officer: he was clearly incompetent. He should never have tried to – nor in the age of both physical and digital fingerprints, been able to – disguise his background from the police. A victim, witness, or possibly a suspect, in one case, should not be investigating a second case where his main suspect was also suspected in his own abduction. As a narrator though, I quite enjoyed his lack of reliability.
Another key marker of French’s work seems to be the supernatural, the wildness lurking behind our tame, rational and safe world. Again, for me I love that. Again, it was very apparent in The Secret Place and much less so here (possibly a result of stronger editorial control over a debut novel) but there are occasional hints of something ancient and other stalking the woods.
Personally, I’d have liked a little more of that side of the story.
With regard to the resolution, I found the identity and motive of the killer (or killers to avoid spoilers) just a little convenient. And the final outcome … well I’ll leave it up to you to read and decide whether justice was served and whether that appealed. For me, the clear-cut re-assertion of order and justice at the conclusion of typical crime novels is a little too neat at times. So I quite enjoyed the conclusion.
[…] love the way that it follows seamlessly on the heels of In The Woods and Operation Vestal – the investigation into Katy Devlin’s death in thst debut […]
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[…] is the fourth of Tana French’s explorations of the fictional Dublin Murder Squad, after In The Woods, The Likeness and Faithful Place. I first read The Secret Place and loved it enough to gorge on the […]
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I’ve had this book since it came out and would you believe it I haven’t got round to reading it and to make it even worse Tana French is one of my favourite authors. Too many blog tours and other books have got in my way. I guess there just isn’t enough hours in the day or years perhaps I should say to read all the books in my book case.
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Haha! I know that feeling! I read The Secret Place first then started the series again… I loved seeing the development, knowing where it ended up!
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[…] Squad series is a delight, but has sometimes only vague connections to the eponymous Murder Squad. In The Woods, the first novel, centred on it; but the follow-up The Likeness, centred on Cassie Madox from the […]
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[…] crime is another genre with series and here there is far less competition: Tana French’s Dublin Murder Squad is by far my favourite crime series. I love the shifts between point-of-view characters from one […]
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[…] offers: to live as a Nigerian chief, an eighteenth century governess, a dragon rider, a prophet, a detective in Dublin, an alien with two mouths incapable of lying; a black freed slave discovering how to build […]
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[…] this: Conway and Moran’s relationship felt just a little too similar to Ryan and Maddox in In The Woods, French’s first Dublin Murder Squad novel. A little more prickly and still testing the […]
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[…] – and also the one that, having read the rest of the series now, is perhaps least successful. In The Woods – where our detective is haunted by half-memories of hi childhood and the scent and sense of […]
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[…] are so many others I could mention: Tana French, Gillian Flynn, Kazuo Ishiguro, Patrick Rothfuss, J. D. Salinger, Donna Tartt, Ali Smith, Mark […]
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[…] series follows a number of fairly unreliable narrators from Rob in your first novel, In the Woods to Scorcher Kennedy in Broken Harbour. Allied to that, truth and justice seem very slippery […]
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[…] is so deliciously Tana French! It took me back to the first Dublin Murder Squad series novel, In The Woods, in which the woods were or may have been haunted by a goat-smelling presence, or perhaps the […]
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[…] the bond between detectives working together that we see between Antoinette Conway and Rob Ryan in In The Woods. These novels also all share a genuinely creepy gothic atmosphere, a sense that the other is never […]
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[…] In the Woods, Tana French […]
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[…] Tana French, In The Woods […]
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[…] Harbour is wonderful – although it is perhaps a toss up between this and the first two books, In the Woods and The Likeness – with the sinister presence of something inside the walls of the house […]
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