Top Ten Tuesday: Series I’d Like to Start/Catch up on/Finish

The original Mistborn series was my first ever Brandon Sanderson, and I adored both the characters and the mythology and, of course, the originality of the magic system. How naive I was and how little I realised the extent of the Cosmere!

In many ways, the original trilogy – The Final Empire, The Well of Ascension and The Hero of Ages – is in some ways very typical fantasy in its medieval setting, where a band of ragtag heroes challenge a tyrant, In other ways it inverts and subverts many of the tropes of the genre.

In the second trilogy, we move ahead in time to a wild west inspired setting as out two new heroes – Wax and Wayne – uphold law and decency, and the original heroes have become mythology and (literally) gods.

The metropolis of New Crobuzon sprawls at the centre of its own bewildering world. Humans and mutants and arcane races throng the gloom beneath its chimneys, where the rivers are sluggish with unnatural effluent, and factories and foundries pound into the night. For more than a thousand years, the parliament and its brutal militia have ruled over a vast array of workers and artists, spies, magicians, junkies and whores. Now a stranger has come, with a pocketful of gold and an impossible demand, and inadvertently something unthinkable is released. Soon the city is gripped by an alien terror – and the fate of millions depends on a clutch of outcasts on the run from lawmakers and crime-lords alike.

The urban nightscape becomes a hunting ground as battles rage in the shadows of bizarre buildings. And a reckoning is due at the city’s heart, in the vast edifice of Perdido Street Station. It is too late to escape.

Oh man, this series was extraordinary – as all of Miéville’s novels are – with amazing casts of characters, a plethora of imaginative races and species, a wonderful creation in the bustling if corrupt city of New Crobuzon or, in later books, on a floating pirate city or a renegade train…

Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.

Hungry for power and knowledge, Sparrowhawk tampered with long-held secrets and loosed a terrible shadow upon the world. This is the tale of his testing, how he mastered the mighty words of power, tamed an ancient dragon, and crossed death’s threshold to restore the balance.

This was such a formative series for me as a reader – Ged / Sparrowhawk’s character progression and the vividness of the setting were fantastic. It is absolutely a series that I hope to return to again at some point.

When Rin aced the Keju – the test to find the most talented students in the Empire – it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who had hoped to get rich by marrying her off; and to Rin herself, who realized she was finally free from a life of servitude. That she got into Sinegard – the most elite military school in Nikan – was even more surprising.

But surprises aren’t always good.

Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Fighting the prejudice of rival classmates, Rin discovers that she possesses a lethal, unearthly power – an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of psychoactive substances and a seemingly insane teacher, Rin learns that gods long thought dead are very much alive – and that mastering these powers could mean more than just surviving school.

For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most people calmly go about their lives, a few are aware that a Third Poppy War is just a spark away…

Lisbeth Salander and Mikael Blomkvist have not been in touch for some time.

Then Blomkvist is contacted by renowned Swedish scientist Professor Balder. Warned that his life is in danger, but more concerned for his son’s well-being, Balder wants Millennium to publish his story – and it is a terrifying one.

More interesting to Blomkvist than Balder’s world-leading advances in Artificial Intelligence, is his connection with a certain female superhacker.

It seems that Salander, like Balder, is a target of ruthless cyber gangsters – and a violent criminal conspiracy that will very soon bring terror to the snowbound streets of Stockholm, to the Millennium team, and to Blomkvist and Salander themselves.

England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey’s clerk, and later his successor.

Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages.

I do have the final book in the series – The Mirror and the Light – queued up to read but somewhat rashly perhaps, endeavoured to re-read Wolf Hall and Bring Up The Bodies first.